![]() If the sound of Jimmywine Majestic was a rickety boat thrashed about in a storm at sea, then Bunny Gets Paid is the tatters of driftwood left in the aftermath, incidentally snagged together, never to wash ashore to be reassembled into something new. This album can be just as fuzzy and hard-hitting as its predecessor, but it has a bravely untethered sound, one that indulges in clutter at times but lives and breaths deeply, from the belly, in space. ![]() But that album also made its own mark, particularly on standout moments like “Braindead and “Moon Calf Tripe”, revealing a sound that had different roots than the grunge movement, and a heavier gravity than many in the boom crop of mid-’90s indie rock bands.īut despite that album’s distinct and brash sound, it didn’t lay any hints for what Bunny Gets Paid would become. ![]() This was just a year after the band put out their first Sub Pop record, Jimmywine Majestic, an album that fit - albeit a little awkwardly - within the loose, distorted rock sound the label was known for. On the other side of the moon, Red Red Meat released Bunny Gets Paid. ![]() ![]() By October of 1995, Hootie and the Blowfish’s Cracked Rear View had solidified its crown as the top-selling album of the year, and was well on its way to selling a staggering 16 million records. ![]()
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