![]() “So basically,” Shepherd laughs, “Mark and I jamming together on this groove and Tia observing my shirt, which was a very ‘90s appropriate shirt, birthed the idea behind this very profound song!” One side was blue, and one side was black!” The shirt that I had on was a blue and black shirt where the seam was goingĭown the middle. She said while we were jamming, she was feeling the vibe. “We thought it was great and I asked her where she got the A tear into a river is not elevating the level of the water significantly.Īnd adding blue to black- the black consumes the blue.” “She had a whole list of things that don’t amount to anĮffect when you put one against the other. ![]() After a few minutes of us jamming and creating this vibe, Tia said ‘what do you think about this? And she started rattling off this idea for a chorus: ‘Blue on black,’ ‘tears on a river’ and maybe some other ideas that didn’t make it into the song.” “In typical fashion, Mark and I started jamming on the idea and Tia started scribbling away. Tia sitting across from the two guitarists who were jamming on a D-C-G riff that Sitting in a small room with the songwriting couple, probably the kitchen, with Where Tia and Mark had rented a place in the French Quarter. “Deja Voodoo.” The three writers had some time off and went to New Orleans, With Shepherd on his self-titled 1995 debut record, co-writing the album favorite ![]() ![]() Songwriter Sillers and Selby had previously collaborated ![]()
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